MENU
DISCOVER NOW
.jpg)
ARTICLES
Glass art reflects well-being
Collecting glass art is often perceived as a niche hobby mastered for a select few. In reality, acquiring handcrafted glass is easier—and more meaningful—than many people think. It’s a personal choice that brings joy to life while supporting the vitality of culture and craftsmanship.

COURSES
Summer 2026 intensive courses announced
Registration for next summer’s glassblowing courses is now open! On the week-long intensive courses, experienced glassmakers from around the world will challenge you to push the boundaries of creativity and technique. The Early Bird offer is valid until the end of February 2026.

EXHIBITIONS
Shared Glow
PRYKÄRI VINTTIGALLERIA | 22 NOV 2025 – SPRING 2026
The exhibition brings together art works by international artists who have worked in Nuutajärvi, many of which were created in collaboration with local artisans. The pieces come from the village, the artists, and various collections.
GLASS ART REFLECTS WELL-BEING
Collecting glass art is often perceived as a niche hobby mastered by a select few. In reality, acquiring handcrafted glass is easier—and more meaningful—than many people think. It’s a personal choice that brings joy to life while supporting the vitality of culture and craftsmanship.
In Finland, owning glass objects designed by professional designers is exceptionally common. Classics of industrial glass are cherished both in everyday table settings and as gifts. In recent years, a new generation of collectors has discovered the colorful vintage glass of the 1960s and 1970s, along with iconic works by legends such as Oiva Toikka and Nanny Still.
This longing for nostalgia is no surprise in uncertain times, when people seek comfort and familiarity in culture. However, Helmi Remes, artist and Head of Creative Projects at Nuutajärvi Glass, encourages people to also turn their attention to contemporary glass art.
“When money is spent on local contemporary art, the individual gains joy in life, the artist earns a livelihood, and culture—as well as Finland’s economy—gains vitality,” says Remes.
ARTICLES
TEXT: VIESTINTÄTOIMISTO JOKIRANTA
ARTWORK: JAAKKO LIIKANEN
"Glass art is multifaceted, delightful, and surprisingly easy to acquire."
- HELMI REMES
For your own joy, with a clear conscience
While collecting design and vintage glass is often guided by names, eras, and resale value, contemporary art glass can follow a different logic. It is frequently perceived as difficult—something that requires specialized knowledge or the ability to choose “correctly.”
But buying art is not a test; it’s an experience. A work does not need to be an investment whose value increases over time. The next time you consider spending money to brighten your life, the choice can be something other than a long-haul trip or an item that quickly wears out.
“The most important thing in acquiring art is your own feeling—and you don’t need to explain it to anyone else. It’s enough that the work stops you in your tracks, feels personal, and brings joy, comfort, or aesthetic pleasure into your life,” Remes says.
The perception that glass art is difficult—or even elitist—often relates to price. A high price doesn’t only signal luxury; it reflects the complexity of working with the material and the skill involved. Glassblowing is a technique over 2,000 years old that has hardly changed. There are no shortcuts: behind every handcrafted piece lies years of practice with hot glass and coldworking, countless failed attempts, and investments in equipment, spaces, and tools.
“Glass as a raw material isn’t expensive. What makes it valuable is melting the mass in thousand-degree furnaces, the practice and repetition required for working it, and the craftsmanship of the entire team involved in creating the piece,” Remes explains.
“If art disappears from homes and public spaces, we lose something essential.”
- HELMI REMES
New ways to acquire and own
Buying art is always a statement of values. It reflects the kind of world you want to support and the era you want to preserve. When money is spent on locally made, handcrafted glass art, its impact extends far beyond a single object. It supports the artist, sustains local creative economies, and strengthens the cultural ecosystem as a whole.
“If art disappears from homes and public spaces, we lose something essential. Art influences our emotional world all the time—often without us noticing,” says Remes.
Acquiring a handmade glass piece is an experience that carries meaning far into the future. Today, art glass is surprisingly easy to purchase directly from artists, studios, exhibitions, and fairs. Social media has lowered the threshold for reaching out and following the creation process. Unique art or functional objects like lamps are also commissioned, making the product even more personal.
“Meeting the artist is often part of the piece’s value. When you understand how and why something was made, your relationship with the object deepens,” says Remes.
Where to find artists? Start by visiting Finland’s well-known glass centers in Nuutajärvi, Iittala, and Riihimäki—but glass artists work all over the country. The field is small, and therefore surprisingly open.
“Once you get a little inside, you’ll find the makers,” says Remes.

Helmi Remes’s favorite object at home is Jaakko Liikanen’s Jokiheinä piece. It reminds her of the values Liikanen represents: sharing knowledge and helping others. Remes assisted in its creation during a live glassblowing demonstration.
Which project has been the most memorable for you?
GALLUP
Nuutajärvi Glass’s partner artists combine emotion, traditional craftsmanship, and enchanting techniques in their work. Three of them share one of their most memorable glass projects:

TOMMI KETONEN
The most interesting projects for me are commissions where each piece is born from the client’s story. These allow me to immerse myself in life’s significant moments and events. I can carefully design which colors, shapes and visual elements best convey the desired mood and meaning.
Particularly memorable are projects where I’ve been able to draw inspiration from local history and culture, such as the lace and maritime-themed glass sculptures created in Rauma, Finland.


JANNE RAHUNEN
I mainly create exhibition collections from my works. In addition to gallery exhibitions, I’m intrigued by unexpected venues and opportunities.
One of the most unforgettable projects was organizing an exhibition at the Cultural Hall of Helsinki Central Station. The temporary exhibition space at the station was a perfect fit for my glassworks. It was amazing to bring the pieces into a space that’s part of people’s daily lives.

_edited.jpg)
HENRI CARRARA
One specific commission for a close friend and client in Cape Town remains particularly resonant. He requested a series of large, dramatic wall-mounted sculptural forms centered on the theme of Memento Mori. This Stoic concept—a reminder of our mortality—is a cornerstone of my own philosophy.
The project required significant technical experimentation, as I had to develop a precise process to ensure the lettering was clearly expressed and legible within the glass itself. Translating this ancient wisdom into a fluid, fragile medium allowed me to explore the delicate balance between existence and the inevitable passage of time.
_edited.jpg)
Jaa tämä artikkeli:
%20(1).jpg)
DIVE INTO
THE WORLD
OF GLASS
Published once a month, the Nuutajärvi Glass newsletter showcases glassmakers, their perspectives, and current news.